Posts tagged ‘writing’
STRUGGLING TO GET IT WRITE: SELF-PUBLISHING, AN INTRODUCTION
It is said that we all have a book within us. I don’t know who said it, and if no one has, I just did. However, it has never been said, to my knowledge, that we all have a GOOD book within us. What follows is my own take on self-publishing with more episodes to follow. As always, feedback would be greatly appreciated.
Writing is an ego driven endeavor. To put your words out there and know that someone will pay money to read them is quite a stretch. But many of us do just that and bruise our egos along the way. Who among us truly thinks their ability to put words together isn’t worth shit, but I’m going to do it and reveal my shit to the world. In the not too distant past the only available avenue a writer could take, other than the traditional route of, agent-editor-publisher was lovingly referred to as the vanity press.
The end result of association with a vanity press was usually hundreds of books moldering away in a basement or attic and the author thousands of dollars poorer. Now we have a much better, cheaper option – the wonderful world of self-publishing. For an excellent in-depth look at self-publishing I refer you to the May/June 2012 issue of Writer’s Digest providing an overview on the topic. In a later piece I will offer some of the information from that issue and update the information contained in this issue for, in this day and age, 2012 is distant history.
Self-publishing, in conjunction with print-on-demand allows the writer to bring his work directly to the reading public without encountering the messy world of agents and publishers. I know many out there have taken the agent and or publisher route and have shed blood, sweat and tears with no results. Been there, done that. That’s why the vast majority of my work remains unpublished. I’ll get to my personal experiences and the reason I still beat my head against a stone wall in a later piece. Many of those who have put the effort and see no other avenue to present their work to the public other than to self-publish. Here, the decision to self-publish has merit. You’ve paid your dues with nothing to show for it; give it a shot.
There is another form of exposure providing a means to present your work, your thoughts, poetry, and stories, to the world. If you’ve gotten this far you’re participating in that medium now – the blog. Of course you won’t make any money unless your ego permits you to go hat-in-hand to those wanting to read the beauty of your words. Enough of that.
I have met one author, in my opinion, who has a healthy approach to self-publishing. She established a reputation through the traditional route of agent and publisher. Only after her reputation was established did she begin to self-publish. For now the public knew the value of her work, work accepted by the industry, and she could approach that public directly.
With the above in mind, I’m sure you see that self-publishing is a complicated and convoluted topic. It is a medium offering a new publishing opportunity, and each year hundreds of thousands of people employ it. It can yield great success, but to those that it has you could probably count using your fingers and toes, and perhaps not even need to take off your shoes.
Yet with all the uncertainty and rejection and no matter how you bear that twisted cross we call the writing addiction, you know you have no choice but to endure and hope for the
THE STRUGGLE TO GET IT WRITE: A NEW SERIES
Is that a clever use of the homophone, or what?
In this new series, I hope to engage writers who follow my blog or anyone else who has an interest in the art of writing, about questions and problems I’m having about my writing and observations I have made in my reading of work by successful writers.
Recently, I’ve run into some new kind of block. It’s not writer’s block; to be honest I don’t know what the hell kind of block it is. Leave it to me to be on the forefront of a new problem for writers. But I’m having a real problem getting my butt to sit down and write. Story ideas, no problem there. I’m constantly taking notes on what my bizarre brain produces, but that’s about as far as it gets.
I’ll discuss some specific problems and some writing insights in the pieces that follow, and if any of you out there can lend advice, I’m all ears.
OUT OF THE LOOP
I’ve been out of the loop for a while, but the loop seems to have survived.
The reason for my exit was my router. I began having trouble with the internet and thought the reason was one of the millions of hackers who are more cleaver than security for anything these days. Come to find out my router was too old to pick up the new and improved single from my internet company.
Side note. I don’t want to name the company but will give a complex hint. The name of the company rhymes with the mathematical term used to express ‘never ending’.
I called the company and told they would send me a new and improved router.
The day it was due to arrived passed so I called again. After being on hold for 15 minutes I was told the they could not track the package and the router was out of stock. This did not help my paranoia there was some kind of plot for I could not think of how they could hope to track a package that contained an item that was out of stock.
Enough of my personal problems. This episode taught me something vital.
By the way, I am still without a router and now in the public library using WiFi so all the world is looking over my shoulder hacking the hell out of this conversation. Wait a minute, that’s good. Welcome to my blog, hackers.
Back to what I learned from this episode. For a writer, for anyone today the internet is a useful tool, and essential tool we take for granted.
Back in my much younger days I was on the road to becoming a famous poet. That road reached a dead end but I still plug along. To submit your work it all had to be done through the mail. I spent hours in front of my typewriter pouring out my words in erasable typewriter paper, and sending my efforts out along with a SASE. How times have changed.
So until my router shows up, I’ve rejoined the loop for better or for worse.
MY WRITING STYLE
Presently, I’m in a quandary about the subject of this piece, my writing style.
Every writer has his or her own style, the way of expressing in word the thoughts they are trying to convey. How does this characteristic of the author originate? Is it some deep-seated voice that represents your essence, or is it merely a manufacture of all the authors whose works you have read?
My reason for pondering this question is that I am in the process of editing my novel, Sweet Depression, and in this endeavor I am attempting to cure what others have pointed out to me as a major fault – my brevity. I tend to concentrate on the core of the story and leave out details that would give the story more life. But where is the line you must be careful not to cross when that life would morph into a boring existence?
Take a look at your bookshelves. If you’re as voracious a reader as I and share my fault of not being able to part with a book once read, those shelves are overflowing. Science fiction and horror are my writing genres, but lately some of my stories have spilled into the murky boundaries of the thriller. But back to science fiction. I look at the science fiction novels of fifty or more years ago and those of today and see a distinct difference. Older science fiction is more concise, more to the point. Of course, you have the epic series Dune written by Frank Herbert and continued by his son which are massive in length, tomes of a complex series. But I look at H.G. Wells’ War of the Worlds which is little more than a novella and see the more typical length of science fiction of a bygone era.
Recently I have talked to writers whose work are massive and needed to be cut for publication. My work doe not require deletion but rather addition. But how much to add without diluting down the story or slowing the action, that’s the quandary.
While thinking this piece through I may have come up with the answer to my problem. It is not the length that is important, rather the content and the skill of the writer. Talent is the bottom line. The writer must take the readers by the hand and lead them down a path without detours causing them to lose their way. And when the readers reach the end of that path, if the writer has been successful, they are left with a treasure.
THE COURAGE OF THE YOUNG WRITER
I salute those youthful individuals who toil daily for the love of their art. Jack Kerouac banging out On The Road on his endless roll of paper not knowing where that work would lead. For hundreds, thousands of Jacks the road is a dead-end. They are the unsung heroes of their art hoping the nod of someone of power, the recognition that never comes. You shall remain unknown, taking your work to your graves.
I began my fiction writing career thirteen years ago when well into my fifties. I stumbled upon this career by accident. Beginning with writing a memoir, I soon turned to short stories and finally novels. While beginning this chapter in my life, I had already been a scientist for twenty years and well established in that profession. Thankfully my two careers overlapped and when a lay-off raised its ugly head five years ago, I became a full-time writer. Since beginning my writing career I have published more than twenty-five short stories and one novel. I’m just getting started for I have two more novels written and a host of short story ideas. Yet, with all this under my belt, some who know me think I ‘just dabble’, that writing is my hobby. None of them know the terror of the blank page or computer screen, but you do my young and young-at-heart friends.
This reflection of my past and present is to contrast the path I took to writing with those who early on decided that putting down in words their thoughts and products of their imagination was the purpose of their life. They take any job available to support their profession, a profession where they can well spend hundreds of hours not knowing if they will make a penny.
You have chosen a lonely profession. For when you take up your pen or sit before your keyboard there is only you and your thoughts. That loneness is the great equalizer between the known and unknown writer.
A WRITER’S VOICE
I don’t know about other writers, but when I read work by a successful author, especially one writing in my chosen genre, I have a desire to mimic the voice of that writer. After all, their voice has worked where mine is less than well-known. However, I resist temptation and, for better or for worse, adhere to my own style, my own writing voice.
What determines a writer’s voice?
Perhaps the most important element is the writer’s life, his experiences along that bumpy road to his vocation and hopefully his avocation. Certainly his age is a determining factor. I began my writing career at an advanced age, some would say almost elderly. And as I stumbled down my own road, I was molded by what I experienced. I sometimes wonder what words I would have produced had I begun writing at an earlier age and how my writing would have developed as I aged.
I feel another determinate of a writer’s voice is the genre you choose to work in. I write science fiction and horror. Science fiction is terse, detail oriented with the story and plot more important than character development. Horror leaves more room for character development but also depends heavily on atmosphere and a host of nonhuman characters. Horror tends to be more ‘wordy’ than science fiction.
These are my opinions on what goes into developing a writer’s voice. For you writers out there, am I on target or completely off the mark?
Someday, time permitting; I may try to stretch my voice into other genres.
THE NEED FOR OBSERVATION
The following is my observation of the writer to be constantly aware of the world he or she occupies. I do a great deal of reading, both fiction and nonfiction, and as I read find a great deal of depth some authors give, to their characters in the case of fiction or the events they are recording in the case of nonfiction, by asides that bring to their writing, details which enliven their work, springing from the well of their life’s experiences. These details are born from a life spent closely observing their world. Only from my limited experience as an author do I speak of the importance of a keen sense of observation necessary to enhance your stories, bring life to your characters, to add dimension to their experiences.
To those experience authors who may stumble across this blog, I am perhaps stating the obvious, the power of observation and the ability to file those observations away. Then as a character is being developed, you go back to that well of memories to breathe life into that being of your imagination.
Can this strong power to observe be taught?
When an individual decides to become a writer, if he hasn’t already spent his life in absorbing the world around can he suddenly begin?
Are writers born or created?
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