Posts tagged ‘writing’
BEGINNING A NEW YEAR, 2014 in review
This is the time we make promises to ourselves, most of which we won’t keep. Time to reflect on the year past and the one that approaches. Time to get on with life.
As in the past, my blog will focus on writing, on where and how to publish your work, and how to endure this absurd profession. If I have any successes, I’ll share them with you. Failure will find itself under the rug.
For the coming year, I’ve decided to begin a new category, one I’ve felt growing for some time now. I already have a category, Observations and Opinions, but I find the title too mellow for what I observe as I travel through space and time. Rants & Raves will be the new category I plan to visit often in this upcoming year. It will encompass subjects which, to me, make little sense, or in general, just piss me off. The older I get, the larger this category grows.
“How does that apply to writing?” you may ask. As I read I find many current authors address issues in their fiction nudging important topic into public view. My last post, Flight Behavior by Barbara Kingsolver, is a case in point where she addresses climate change incorporated in a fantastic story. But this trend is not new. Currently, I’m reading Charles Dickens’, Hard Times, an author whose work constantly addresses the wrongs in English society. Then, there is Upton Sinclair writing The Jungle, altering the meat processing industry. The list goes on and on where fiction is used to alter fact.
Let me finish this post by thanking you for entering my life and thoughts this last year, and hope that our relationship continues.
Finally, I’ve included my past year’s blog life as reported by WordPress.
The WordPress.com stats helper monkeys prepared a 2014 annual report for this blog.
Here’s an excerpt:
A San Francisco cable car holds 60 people. This blog was viewed about 1,400 times in 2014. If it were a cable car, it would take about 23 trips to carry that many people.
STRUGGLING TO GET IT WRITE: ONCE AGAIN, A WRITER’S OBSERVATIONS AND THE POTENTIAL STORY
Once again, I shall visit the importance of the power of observation in a writer’s life, and once made, to lock it into your memory for future reference. Come to think of it, here’s a question. Does the power of observation form the writer, or does the need to write develop the power of observation? In other words, which came first, the writer or the observer?
I’ve been walking our dog, Millie, taking advantage of the pleasant autumn weather before they’re replace by the harsh days of winter, and in the process, reviewing memories.
My family enjoyed tent camping, and one of our favorite destinations was Rickett’s Glen State Park located in the middle of northern Pennsylvania. A large man-made lake (a site I used in a horror story) is set in the park amongst the campsites and trails. We always brought along our canoe or Folbot (a collapsible kayak) and set up camp at a site right on the lake’s edge so that a short walk had us in the water.
The park is a popular place for families, and the occasional group of teenagers, to enjoy nature and bond. I distinctly remember one camping trip when, as usual, the park was full of families, mostly with young kids riding their bikes along the dirt and gravel trails and enjoying the vacation. The campsite next to us, however, gave off distinctly different vibes. Occupied by a solitary man, perhaps in his fifties, with a modest tented campsite along with a kayak for one. I watched him one morning as I cooked breakfast. His breakfast consisted of a couple beers, then he carried his kayak to the lake and was gone. The rest of the campground was filled with laughter and the sounds of children at play.
I often think of that lone camper, for observing him provided a wealth of story possibilities. All the other campers seemed to enjoy their time in the park – nothing there.
Here are some links where you may purchase my work.
Melange Books
http://www.melange-books.com/authors/walttrizna/index.html
Barnes & Noble. Com
http://www.barnesandnoble.com/s/walt-trizna?store=book&keyword=walt+trizna
Amazon.com
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=walt+trizna
SALINGER by DAVID SHIELDS, SHANE SALERNO, THE CATCHER IN THE RYE by J. D. SALINGER
Until recently I knew little about J. D. Salinger other than the fact that he was the author of the Catcher in the Rye, that he was out there remaining secluded, and then he was dead. I could not remember if I had ever read his classic.
After catching some of the documentary by Shane Salerno on PBS about Salinger, I decided to read the biography he and Shields wrote about the author. I found it to be a compelling read exploring the complex personality of the writer and the influence of WW II on his work, and how an off-shoot of Buddhism, Vedanta, influenced his life and made him the man he became after the war. Shields and Salerno brought home the point that Salinger could not tolerate phoniness in people and the life that surrounded him. This, of course, is the primary theme of Holden Caulfield, the main character in the Catcher.
After reading Salinger’s biography, I decided to either read or reread the Catcher. After finishing the book, I can say that I either totally missed the great revelations supposedly contained within the pages of the work, wouldn’t be the first time, or the book is like a good poem, you take away from the reading what you bring.
Holden Caulfield, Salinger’s alter ego, cannot tolerate the phoniness in all he sees around him. At the age of sixteen, he has an opinion on everything and yet has accomplished nothing other than being kicked out of a series of exclusive prep schools.
It seems to me, and here is where I may be missing something, that Caulfield is the biggest phony of them all. His total existence is dependent on his lawyer father’s ‘dime’. The language in the novel is true to the era, but dated by today’s standards. This should make the future publication the 45 years of constant writing Salinger supposedly accomplished in solitude interesting. During those years, Salinger was allegedly working diligently in fleshing-out the Caulfield family along with the Glass family, the subject of much of his other works.
The setting for the Catcher strongly reflects the 1940’s. It will be interesting, taking into account Salinger’s isolation from the world, how he handles the development of his characters, their language and lifestyles. Needless to say, Salinger’s publishing future provides great anticipation.
To be continued…
Here are some links where you may purchase my work.
Melange Books
http://www.melange-books.com/authors/walttrizna/index.html
Barnes & Noble. Com
http://www.barnesandnoble.com/s/walt-trizna?store=book&keyword=walt+trizna
Amazon.com
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=walt+trizna
STRUGGLING TO GET IT PUBLISHED: PREDITORS & EDITORS
You’ve spent endless hours giving birth to your baby; you’ve finished your novel. Now that effort is ready to enter the world of publishing. Be careful, do your homework. You may not believe it, but another major, perhaps greater, effort is about to begin.
Tell you a story. I once had my novel, The Beast Awaits, accepted by a small publisher. Excitement poured for every cell of my body, then I did my homework and you know what hit the fan. I went to Preditors & Editors and found they recommended staying away from this publisher. The reason, their contract took away a great deal of the author’s control. My novel remains unpublished, but at least I’m not in a situation that would be detrimental to my work. Once you are ready to publish, Preditors & Editors is one of the go-to sites before signing on the dotted line.
Getting your work published can be a little tricky to say the least. More posts will follow concerning where to look when choosing a publisher or an agent. Stay tuned.
Here’s a link to Preditor’s & Editors:
http://pred-ed.com/pubagent.ht
After some thought, I’ve decided to add, at the end of every post, links to sites where you can find my work. I hope my faithful readers, along with first-time visitors, will take a look.
Melange Books:
http://www.melange-books.com/authors/walttrizna/index.html
Barnes & Noble:
http://www.barnesandnoble.com/s/walt-trizna?store=book&keyword=walt+trizna
Amazon:
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=walt+trizna
WHITE NOISE IN PUBLISHING
Continuing on my white noise theme in the publishing world, I feel self-publishing has, as most things do, some good and some not so good points.
Self-publishing gives a new slant to ‘freedom of speech’. Anyone and I mean anyone can publish what they want, the good the bad and the ugly, for perhaps little or no expense and sell it to the public. In future posts I will explore self-publishing options for my and my readers’ benefit. However, before I tackle that subject, I want to delve into the process of finding a publisher (I’ve already begun that task) and an agent.
Now, back to self-publishing and white noise.
I’m sure it’s my lack of confidence, or maybe my upbringing in the scientific world, but I need verification from someone knowledgeable in publishing that what I write is worthy of publication. That is the cross I bear, but I’m learning to throw-off this burden, at least to some extent.
You see, the problem I have with self-publishing is that there is no gatekeeper. With over 435,000 works self-published last year the white noise in publishing has become a deafening roar. I know, everyone has a book in them but let’s be honest, sometimes that’s where it should stay. Then again, who has the right to make that judgment? See the conundrum.
In the past, the only way to be published, other than by a recognized publisher, was by a vanity press. By using a vanity press, you could fill your garage or basement with copies of your work and come away from the experience hundreds or thousands of dollars poorer. For the most part, the vanity press is all but gone, but not totally. What it has done is morphed into companies advertising in writer’s magazines offering to publish your work for perhaps a few hundred dollars or so. They have traded the profits made by a few paying a great deal to a great number paying a lot less. In the future I want to explore how you can bypass them and publish on your own.
Now, here’s where I make some enemies, but isn’t that what life’s all about?
Of the 435,000 works published last year, how many would have found a home with a traditional publisher. I ask myself, when I look at my own work, is there anyone who would pay money to read this other than my family or friends. That should be your litmus test if you really want to become a writer. Publishing a book might stroke your ego, but will it contribute anything.
I met an author last year who told me she is now self-publishing. However, she first published with established publishers, built a reputation, and now publishes on her own. That path has merit, in my eyes.
Another interesting observation I saw in a writer’s magazine was how self-publishing may hurt those beginning a long-term career. A side note, I recently had a story accepted and after it was accepted I decided to read it one last time. I had written it sometime ago and, at times being a bonehead, failed to read it before sending it off. I found the writing ‘lacking’ and told the publisher they would receive an improve version. The point is, we improve with experience. That is the point made in the article. The reason the career-minded writer should be careful about self-publishing their early work is that if they take the next step and decide to seek out a traditional publisher and that publisher is interested in taking them on, they will consider the writer’s self-published an example of their skill. Do you get the point? Your name is attached to your work, your true name in most cases, and that work is how your writing will be judged.
Finally, if you do decide to self-publish, PLEASE! PLEASE! have someone other than your mother or closest friend read your work. Preferably someone who has read a great deal and will give you an honest opinion. This is where, if you are sincere about your craft, a good writers group comes into play. If there isn’t a group you can join, there are opportunities to get online critiques where you can exchange work with other writers. Another benefit of critiquing someone else’s work is the process tends to improve your own skills.
Hope I haven’t ruffled too many feathers, and that my comments will help turn the white noise in publishing into joyful music.
STRUGGLING TO GET IT WRITE: HOW MUCH OF ‘YOU’ IS IN YOUR CHARACTERS?
This is a question I often ask myself of the author while I read his novel. How many of the characteristics of a main or minor character are yours?
I’ve recently finished reading Breakfast of Champions by Kurt Vonnegut. It’s a strange, enjoyable read. In the book, one of the characters is the creator of the characters in the story which makes for a strange interaction. The ‘author’ character refers to elements of his past. I’ve also recently completed reading And So It Goes by Charles J. Shields, and all the facts and incidents mentioned by the ‘author’ character are also true for Vonnegut.
As in the above, what I like to do when I find an author whose work I enjoy is seek out facts about the mind behind the words by reading their biography. Here’s a sampling of whose fiction I’ve enjoyed and whose lives I wanted to discover.
I expect that you know by now that I enjoy writing horror. One of my favorite authors of the genre is H. P. Lovecraft. I have a volume of his complete works and occasionally visit the volume to enjoy a short story or one of his longer works. His writing is quite dated but I find the worlds he creates interesting. Lovecraft gave birth to a subgenre of horror which lives on. Sometime ago I read a biography of his short life. I recall he died around the age of 49. He initially fancied himself a poet but eventually fell into horror much to our benefit.
Frederick Exley is a writer I found to be both funny and sad. For a great read, find a copy of his novel, A Fan’s Notes, a work following the career of Frank Gifford and is a weakly veiled account of Exley. The biography of Exley I read confirmed this. As an example of Exley’s outlook, in one episode of the book the main character thinks he is dying. He decides to practically take up residence in a bar and then relates how he gained twenty pounds while wasting away from cancer. You’ve got to feel sorry for the guy and yet love him. As I said, funny but sad.
Jack Kerouac is another author I enjoy and read his biography. His classic novel, On the Road, closely reflects his life with the names changed to protect the guilty.
So many authors endure lives that are far from pleasant, something I’ll touch on in a latter post concerning the merits of good vs bad in an author and his characters. But with their many and sometimes tragic faults, we readers reap the rewards of their work.
So back to my original question to you writers: How much of your characters reflect details of your life? As far as my work is concerned, there is one character in my novel, New Moon Rising, who is me, and I’d like to challenge my readers to name the character and reap a reward.
To be continued…
STRUGGLING TO GET IT PUBLISHED AND MARKETED: SLOW DOWN
In the past, I have shared with you comments made by Brooke Warner in her blog published by the Huffington Post. Recently, she posted another article about publishing which I feel poses some important points. In this article she contrasts the difference in the timeline between traditional publishing and self-publishing and lends tips on why it is important to slow down in these efforts.
STRUGGLING TO GET IT WRITE: A WRITER’S NEED TO READ
I want to approach the making of a writer from a new direction, that with reading in mind.
These thoughts are the result of the ongoing question I have: Can imagination be taught? I have pondered this topic in past posts. You can be taught how to write, but can you be taught what to imagine, taught how to provide that spark which becomes a work of fiction. Some writers use prompts to get their writing juices flowing, but I feel these prompts could provide either the imagination trigger for a piece or merely a subject, depending on the individual. The crux of the effort is the individual.
The birth of this piece is the fact we are told over and over that when a writer is not writing he should be reading. As I write this I continue to perform mental gymnastics. If you must be encouraged to read can writing be in your future? For some reason, I have always had a burning desire to read which required no encouragement and feel naked when books are not present or readily available. I’ve always felt that the more vivid your imagination, the more enjoyment you derive from reading, the more vivid your imagination the more brilliant the pictures created in your mind as you read a book. Images which a video game or television show cannot compete with. In this sense, a writer can’t help but be a reader feeling incomplete without a book close by. For that book is feeding what is the life’s blood of the writer – his imagination.
STRUGGLING TO GET IT PUBLISHED: INTRODUCTION
While contemplating topics for my blog, I came to the realization that I needed a new category. In my much acclaimed (in my own mind) STRUGGLING TO GET IT WRITE category I found I was considering areas having more to do with publishing and less with writing. With that in mind, my discussion of self-publishing will move to this new area, STRUGGLING TO GET IT PUBLISHED.
Yes my friends, I find little connected to the art of writing that is not a struggle, at least for me.
The primary topics I plan to cover are finding a trustworthy publisher, finding an agent, again identifying the unworthy, query letters and organizations which may help you along that bumpy road to publication. And as mentioned above, I’ll continue to take a look at self-publishing under this heading.
That’s what I have planned for this new ‘struggle’. Hopefully this information will aid you on your journey to becoming a published writer.
STRUGGLING TO GET IT WRITE: PEOPLE WATCHING
Reading as a writer, I am constantly in awe of details ‘good writers’ see in their characters. The emotions, mannerisms and body language, to say nothing of physical description, bring a writer’s characters off the paper and strut before you, and let you hear them speak when the tone of their voice is described. One of my favorite details, which I have seen a few times is: ‘His mouth smiled, but that smile did not reach his eyes.’ I can truly say that, in real life, I do not know if I am capable of detecting that emotion.
I’ve always thought of myself as more of an observer than a participant in this complex existence, but I’m beginning to find that my observations are lacking in detail, not adequately fulfilling my writer’s needs. I working on remedying that flaw, but can it really be corrected? Can your level of observation be actively increased or is it just something you’re born with?
To bring a character to life, the writer must have a clear picture of that character in his head, both physically and emotionally. The better the writer is able to accomplish this feat, the better the story. I’m in the process of struggling to slow the act of writing down, to expand on the details that bring the character to life. I tend to rush my writing and concentrate more on plot and action. I now seek a more balanced approach between character and action.
While recently watching a documentary by Ken Burns about the life of Samuel L. Clemens (Mark Twain). I’m sure PBS will provide ample opportunities for you to view it if you missed it. I highly recommend you watch it. One comment that struck me was how Clemens spent years observing the world around him and the people populating it long before he knew he would become a writer of fiction. For example, he would notice whether a man had his hands in his pocket or not, and what the contents of those pockets probably were.
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