Walttriznastories's Blog

(Jack Gaughan’s cover for the 1969 edition)

3/5 (Average)

As I read Roger Zelazny’s post-apocalyptical adventure Damnation Alley (1969), the relentless throbbing of Hawkwind’s 1977 song inspired by the novel along with cringeworthy lines of dialogue from the 1977 film version kept interjecting themselves into my reading experience.

First, a snippet from the song….

I’ve got the serum and I’m going to take it
All the way to Boston, oh I’ve got to get through
The going won’t be easy, but I’m going to make it
It’s the only thing that I’m cut out to do
Ride the post-atomic radioactive trash
The sky’s on fire from the nuclear flash
Driving through the burning hoop of doom,
In an eight wheeled anti-radiation tomb
Thank you Dr. Strangelove for going doolally,
and leaving me the heritage of Damnation Alley […].

Absent from Hawkwind’s interpretation that

by Sheree Crawford

Researching is, believe it or not, a skill that not everyone has. If you do have it you should definitely put it on your C.V.; good research is often the thing you do not see, but the want of it is blindingly obvious, especially when you write historic fiction, or you’re writing about cultures and people you don’t know anything about.

Research isn’t about consuming every piece of information you can find on your topic; it’s about knowing what is and isn’t important. You can learn this by taking a degree of some sort (History in particular will smack you in the face with research skill requirements before you’ve even finished the first year… whoo-boy that was a learning curve, I can tell you), or you can piggyback my History degree; go on, I don’t mind. I’ll share some of the pearls I’ve discovered while cracking…

by Daniella Levy

It hurts to hear people say negative things about something you poured your heart and soul into. It hurts to recognize that you are not perfect at what you do and can always use improvement.

However, criticism–good criticism–is a very powerful raw material you can use to build yourself as an artist.

People generally react to criticism non-constructively in one of two ways: resistance (dismissing, arguing, or denying) or withering (collapsing in feelings of shame and inadequacy). Both of these reactions deny you the opportunity to learn and grow from the feedback.

I’m delighted that three of my poems, including “How to Write a Poem,” are included in Indra’s Net: An International Anthology of Poetry in Aid of The Book Bus.

All profits from this anthology published by Bennison Books will go to The Book Bus, a charity which aims to improve child literacy rates in Africa, Asia and South America by providing children with books and the inspiration to read them.

Available at Amazon (UK) and Amazon (US)

by Stephanie O’Brien

When you start to create a novel, one of the first questions you have to ask yourself is, “Should I start by creating an outline, or just fly by the seat of my pants?”

Both of these options have their merits.As I noted in a previous blog post, creating an outline first helps to keep the plot more coherent, avoid plot holes, and stop writer’s block before it starts.

But many writers probably share the same fear I had before I started to embrace outlining: what if the outline stifles my creativity? What if I lose the spontaneity that I need to write the characters naturally, and to let the characters be themselves?