Posts filed under ‘THE STRUGGLE TO GET IT WRITE’
STRUGGLING TO GET IT WRITE: WHY WE WRITE
Over the course of our writing careers the answer to this question may, and probably will, change. With age and success, or the lack there of, our mindset will morph until that final realization that we have done all we can do. Let history be the judge of our effort. We cast our lot to time.
I feel there is a spectrum to our need to write, spanning the need to leave our footprints in the sands of time to pursuing the almighty buck. Most of us lie somewhere in-between, with the love of art or existence our goal. Don’t get me wrong. There is nothing wrong with wanting to exist, and if you have the art and it pays the bills, so be it. Each of us is unique to their purpose. And only at the end of our time can we can we reflect on all we have accomplished. For some of us, success may come after we are gone. We can just do our best and hope for the best. The important thing to consider when the end.
How many of us write, spend countless hours completing a work we feel important and no one responds to our effort. We get no feedback, good or bad, from friends asked to read our work or agents and publishers where our writing has sought a home, just an awesome silence as our writing goes into the world. Now, if your purpose in is to obtain profit, better known as paying the bills this hurts. But your goal is just as noble as those whose sole purpose is the goal of longevity of their existence.
As mentioned above, if your goal in writing is to leave your mark on history, and you lack success, all is not lost. How many of us know the authors of fiction whose work was not appreciated during their lifetime but discovered after they were gone. We all know writers of fiction who fit the mold. Struggling to leave their mark, yet their major work going unrecognized during their life. Think of Herman Melville and his masterpiece, Moby Dick.
So many of us pursue this profession with little reward. Leaving this life never knowing if our voice will be heard. Put down your words. Fate may find you.
To be continued with a look at your life and history.
I am once again going to ‘allow’ you to buy my work.
Here are some links where you may purchase my work.
Melange Books
http://www.melange-books.com/authors/walttrizna/index.html
Barnes & Noble.com
http://www.barnesandnoble.com/s/walt-trizna?store=book&keyword=walt+trizna
Amazon.com
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=walt+trizna
STRUGGLING TO GET IT WRITE: CRITICISM AND CRITIQUE
Lately, I have strayed from the purpose of this blog, writing. I beg your forgiveness, although I promise it will happen again. For I live in a world which I understand less and less, and however much off the mark, I have opinions.
For now, however, I am back on course and thoughts of writing flow from my pen. The subject of this piece, as you can see from above, is criticism and critique.
In the early stages of your career, and it never ceases, criticism is its life’s blood, for with other’s help and guidance, that is how your work grows and matures. Although, always remember you are the creator of the work and the final ‘say’ is yours. As a writer it is essential that you believe in yourself and your work, but be able to take criticism and judge it for what it is worth. It is your task to sort through other’s opinions and select which are valid and which are not. It is important to share your work with other, and people you know and respect. But consider their credentials.
I know your mother most likely meets these two requirements, and wants to read your earliest draft. But when she raves, understand that she has a bit of a bias. Then there is your close friend who dropped out of high school and has read nothing but comic books since. Need I say more?
What I suggest as a source of criticism and support is a writers group, for in addition of reviewing your work they can empathize with your journey to becoming and author. But most important, find a group that offers constructive criticism and able to provide suggestions which improve your work.
Research the local writing groups. You will be amazed at how many writers live in your community. If you are unsuccessful in locating other writers, do not give up hope. There exists a host of online sites serving the same purpose. What follows is a sample of what is available.
The first is Critters Workshop.
Next, Absolute Write, less than critique, more and essential for writers.
My Writers Circle
The Young Writers Society
I’m not sure about this site, but obviously never used it. Be careful! https://www.youngwriterssociety.com/?forums
Critique Circle
http://www.critiquecircle.com/
Marketing to writers sometimes feeds as an ‘ego centric’ scam, promising but never delivering. As in all things in life, be careful. If it is too good to be true, walk away. I say this for the sites here appeared in Writers Digest. Some years ago, I checked Preditors & Editors for a list of agents appearing in their classified section. Preditors & Editors suggested you stay away from all of them.
STRUGGLLING TO GET IT WRITE: AN EPIPHANY
This piece will demonstrate how slow a learner I am and how much I have to learn.
I’m in the process of reading Paulo Coelho’s novel, Eleven Minutes. I’m sure many of you are familiar with his name from his famous novel, The Alchemist, which has been on the bestseller list for years.
As I’m reading, I marvel at how simple the process of his writing appears to be, how characters and scenes just falls into place. As I brooded on this observation and compared it to my own work, lightning struck my addled brain. The process was not simple but born through skill and hard work. The richness I observed was the level of his skill and determination.
I have had a problem for the last few years, well maybe more than one, and have discussed it in my blog in the past. I have a fear of the rewrite, of not getting it perfect. What a fool! The ‘write’ doesn’t make the piece, it’s the rewrite that gives life to the framework.
Looking at a writer as a sculptor, a sculptor of thought, if you will, the first draft is the initial release of the form imprisoned in the rock or marble, the metal or marble; the writer’s mind. It is only through careful chipping away that the work takes form. It is only after editing and living with the work is the work completed. The initial draft is nothing but the birth. I’m going to try to force myself to put these observations to use.
Please, stay in touch.
STRUGGLING TO GET IT WRITE: ONCE AGAIN, A WRITER’S OBSERVATIONS AND THE POTENTIAL STORY
Once again, I shall visit the importance of the power of observation in a writer’s life, and once made, to lock it into your memory for future reference. Come to think of it, here’s a question. Does the power of observation form the writer, or does the need to write develop the power of observation? In other words, which came first, the writer or the observer?
I’ve been walking our dog, Millie, taking advantage of the pleasant autumn weather before they’re replace by the harsh days of winter, and in the process, reviewing memories.
My family enjoyed tent camping, and one of our favorite destinations was Rickett’s Glen State Park located in the middle of northern Pennsylvania. A large man-made lake (a site I used in a horror story) is set in the park amongst the campsites and trails. We always brought along our canoe or Folbot (a collapsible kayak) and set up camp at a site right on the lake’s edge so that a short walk had us in the water.
The park is a popular place for families, and the occasional group of teenagers, to enjoy nature and bond. I distinctly remember one camping trip when, as usual, the park was full of families, mostly with young kids riding their bikes along the dirt and gravel trails and enjoying the vacation. The campsite next to us, however, gave off distinctly different vibes. Occupied by a solitary man, perhaps in his fifties, with a modest tented campsite along with a kayak for one. I watched him one morning as I cooked breakfast. His breakfast consisted of a couple beers, then he carried his kayak to the lake and was gone. The rest of the campground was filled with laughter and the sounds of children at play.
I often think of that lone camper, for observing him provided a wealth of story possibilities. All the other campers seemed to enjoy their time in the park – nothing there.
Here are some links where you may purchase my work.
Melange Books
http://www.melange-books.com/authors/walttrizna/index.html
Barnes & Noble. Com
http://www.barnesandnoble.com/s/walt-trizna?store=book&keyword=walt+trizna
Amazon.com
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=walt+trizna
STRUGGLING TO GET IT WRITE: HOW MUCH OF ‘YOU’ IS IN YOUR CHARACTERS?
This is a question I often ask myself of the author while I read his novel. How many of the characteristics of a main or minor character are yours?
I’ve recently finished reading Breakfast of Champions by Kurt Vonnegut. It’s a strange, enjoyable read. In the book, one of the characters is the creator of the characters in the story which makes for a strange interaction. The ‘author’ character refers to elements of his past. I’ve also recently completed reading And So It Goes by Charles J. Shields, and all the facts and incidents mentioned by the ‘author’ character are also true for Vonnegut.
As in the above, what I like to do when I find an author whose work I enjoy is seek out facts about the mind behind the words by reading their biography. Here’s a sampling of whose fiction I’ve enjoyed and whose lives I wanted to discover.
I expect that you know by now that I enjoy writing horror. One of my favorite authors of the genre is H. P. Lovecraft. I have a volume of his complete works and occasionally visit the volume to enjoy a short story or one of his longer works. His writing is quite dated but I find the worlds he creates interesting. Lovecraft gave birth to a subgenre of horror which lives on. Sometime ago I read a biography of his short life. I recall he died around the age of 49. He initially fancied himself a poet but eventually fell into horror much to our benefit.
Frederick Exley is a writer I found to be both funny and sad. For a great read, find a copy of his novel, A Fan’s Notes, a work following the career of Frank Gifford and is a weakly veiled account of Exley. The biography of Exley I read confirmed this. As an example of Exley’s outlook, in one episode of the book the main character thinks he is dying. He decides to practically take up residence in a bar and then relates how he gained twenty pounds while wasting away from cancer. You’ve got to feel sorry for the guy and yet love him. As I said, funny but sad.
Jack Kerouac is another author I enjoy and read his biography. His classic novel, On the Road, closely reflects his life with the names changed to protect the guilty.
So many authors endure lives that are far from pleasant, something I’ll touch on in a latter post concerning the merits of good vs bad in an author and his characters. But with their many and sometimes tragic faults, we readers reap the rewards of their work.
So back to my original question to you writers: How much of your characters reflect details of your life? As far as my work is concerned, there is one character in my novel, New Moon Rising, who is me, and I’d like to challenge my readers to name the character and reap a reward.
To be continued…
STRUGGLING TO GET IT WRITE: A WRITER’S NEED TO READ
I want to approach the making of a writer from a new direction, that with reading in mind.
These thoughts are the result of the ongoing question I have: Can imagination be taught? I have pondered this topic in past posts. You can be taught how to write, but can you be taught what to imagine, taught how to provide that spark which becomes a work of fiction. Some writers use prompts to get their writing juices flowing, but I feel these prompts could provide either the imagination trigger for a piece or merely a subject, depending on the individual. The crux of the effort is the individual.
The birth of this piece is the fact we are told over and over that when a writer is not writing he should be reading. As I write this I continue to perform mental gymnastics. If you must be encouraged to read can writing be in your future? For some reason, I have always had a burning desire to read which required no encouragement and feel naked when books are not present or readily available. I’ve always felt that the more vivid your imagination, the more enjoyment you derive from reading, the more vivid your imagination the more brilliant the pictures created in your mind as you read a book. Images which a video game or television show cannot compete with. In this sense, a writer can’t help but be a reader feeling incomplete without a book close by. For that book is feeding what is the life’s blood of the writer – his imagination.
STRUGGLING TO GET IT WRITE: PEOPLE WATCHING
Reading as a writer, I am constantly in awe of details ‘good writers’ see in their characters. The emotions, mannerisms and body language, to say nothing of physical description, bring a writer’s characters off the paper and strut before you, and let you hear them speak when the tone of their voice is described. One of my favorite details, which I have seen a few times is: ‘His mouth smiled, but that smile did not reach his eyes.’ I can truly say that, in real life, I do not know if I am capable of detecting that emotion.
I’ve always thought of myself as more of an observer than a participant in this complex existence, but I’m beginning to find that my observations are lacking in detail, not adequately fulfilling my writer’s needs. I working on remedying that flaw, but can it really be corrected? Can your level of observation be actively increased or is it just something you’re born with?
To bring a character to life, the writer must have a clear picture of that character in his head, both physically and emotionally. The better the writer is able to accomplish this feat, the better the story. I’m in the process of struggling to slow the act of writing down, to expand on the details that bring the character to life. I tend to rush my writing and concentrate more on plot and action. I now seek a more balanced approach between character and action.
While recently watching a documentary by Ken Burns about the life of Samuel L. Clemens (Mark Twain). I’m sure PBS will provide ample opportunities for you to view it if you missed it. I highly recommend you watch it. One comment that struck me was how Clemens spent years observing the world around him and the people populating it long before he knew he would become a writer of fiction. For example, he would notice whether a man had his hands in his pocket or not, and what the contents of those pockets probably were.
STRUGGLING TO GET IT WRITE: THE KEEN OBSERVER
This piece revolves around my never-ending argument: Can you be taught to imagine? Is it something you just ‘have’, or is it something you can develop? Can you be taught to initiate that spark the gives birth to a story and leads you down that road of wonder? I have no formal training, and I’m sure it shows, in writing fiction, but my mind is crowded with ideas. Can this mental process be taught?
Now, those of you still with me are probably asking, “What the hell does this have to do with the title of the article?” Glad you asked, otherwise, I would have to stop writing this piece.
In order to give a story body, to provide a world to the reader, you need detail. The reader must be immersed in the world you create. See, hear and smell the story. The writer must spend his life being a ‘keen observer’, constantly aware of the world around and absorb, digest it and then someday deposit those observations within his work. I suppose the only genre where this does not apply is the genre I propose to write – science fiction. Here you sometimes need to create a world of the future, one that finds birth in your imagination and exists only there.
I recently finished reading Light of the World by one of my favorite authors, James Lee Burke. Coincidentally, the July/August issue of Poets & Writers had an interesting piece about Burke. If you love his writing as much as I do, I strongly suggest you read this fine article to gain insight into the man.
The setting for Light of the World is Missoula, Montana which also happens to be where Burke now calls home. The novel drips with detail of the geography, plant life and weather of the Montana. We are all familiar with the old adage: Write what you know. I’m going to make an addition: Write where you’ve been. I know this is not always possible, but I feel it helps to keep this in mind when setting the location of your story.
I try to locate my stories in areas in which I have either lived or at least visited. If I need to venture into unknown territory I use maps and research the area online. But I don’t think the writing rings as true as when you experience the area firsthand. However, for me, even if I lived in the location of the story I still find my writing lacking enough detail to bring the story to life.
I’m working on this fault.
Next, people watching.
STRUGGLING TO GET IT WRITE: SELF-PUBLISHING
It is a journey we shall take together, seeking out information on the road to becoming a self-published author. In a recent post, I went into great detail on why I have not self-published – yet. That attitude is in the process of transition. Even I am capable of change. While I’m on the road to obtaining knowledge on self-publishing I invite you to come along.
We begin with an excellent article to get us started, full of useful information. I received it through an online writer’s group to which I belong, IndieWriterSupport. I suggest joining as many writer’s groups as you can. You will inundated with a wealth of information, not all useful, but a great deal with value to the writer. Join LinkedIn! Once you do offers to join other groups will come pouring in.
Look for future pieces with more in-depth information into the world of self-publishing.
Take advantage of the active links you will find in the article.