Posts filed under ‘THE STRUGGLE TO GET IT WRITE’
STRUGGLING TO GET IT WRITE: EGO BLOCK – GETTING IT PERFECT
I once enjoyed writing a great deal more than I do now. Back then it was an escape from my ‘real job’. In the course of my current career, I may have developed a new type of ‘writer’s block’.
Leave it to me.
What I have managed to develop is a real fear of the rewrite. I have no problem developing ideas or writing the first draft. But when it comes to the editing process, I have an overwhelming desire to get it perfect, whatever that means.
I do a demented dance around the story or novel requiring the dreaded rewrite. I find anything to do that will keep me from that effort, root canal – bring it on. I’ll get to the rewrite later. Anything to keep me from getting my ass in the chair and getting to my work.
One of my favorite pastimes is reading. I can’t get enough. I find that now, as a writer, I closely examine the work I’m reading and find flaws that I see which I’m sure I would not if I wasn’t involved in the profession. I find errors in plot, or needless asides and descriptions bringing nothing to the story. In some cases slowing it down. Overwriting in authors far more successful than I will ever be. Sometimes lack of explanation which would enhance the plot where more detail would be beneficial. Yet, despite the fact that I see these faults I believe in being painfully honest. My work does not approach the quality of what I find lacking.
My work tends to be more of an outline, not offering enough detail to draw the reader into the world I am trying to create.
Okay, that’s off my chest. Time to silly-glue my ass to the chair and hope for the best. Time for the rewrite.
Wish me luck.
STRUGGLING TO GET IT WRITE: SELF-PUBLISHING AND PEER PRESSURE
Every journey down that rocky road of writing is different, unique, influenced by our past and drawing on the writer’s experiences. My first career was that of a scientist, 34 years’ worth, and that experience helps shape my approach to publishing and the hesitation to self-publish.
Let me explain.
In science, once you have completed a project which has merit and contributes knowledge to your field, you set out to publish a paper describing your work. I am coauthor on more than 40 papers. I didn’t do any of the writing but performed most of the experiments that went into them and am familiar with the process of publishing these papers.
When you want to publish your work there is an accepted process. No valid scientist takes it upon himself to publish his results. Rather, you seek-out a peer-reviewed journal which publishes in your field. The process involves your work being reviewed by, usually three, scientists working in your field and familiar with the techniques you used. After reading your work they may either accept it, suggest further experiments or reject it. Do you see the parallel with accept, rewrite or reject? Having spent my entire working life under this mindset, I find it has now carried over into my writing career. Perhaps it is a flaw, perhaps not, but with my fiction I do not feel comfortable with just putting it out there. I need confirmation from someone knowledgeable in my genre and able to judge the quality of my work. This need for approval does not make for an easy writing career, but I feel the rewards are well worth the effort.
So far I have published on novel, a novella and more than 25 short stories, all accepted by a publisher, in some cases by multiple publishers. To go this route is time-consuming and requires a thick skin. It’s not easy to send your baby out there and find no one sees its value.
Let me share with you the history of my novel, New Moon Rising, in finding a publisher. I began this effort in December, 2006, and in March, 2010 Melange Books asked to see the entire manuscript and decided to publish my book. During that interval, I contacted 28 agents and publishers. One reason this endeavor took so long was that I waited to hear back from each submission before submitting again. I won’t make that mistake again. But let me tell you. When a publisher says, ‘We’ll accept your work,’ that superb feeling cannot be matched.
So there you have my approach and reasons for taking the road I have chosen to getting my work published, and why I have not self-published – yet. My approach is not for everyone, but for better or for worse, that’s what it is.
Then you have to get someone to buy it.
STRUGGLING TO GET IT WRITE: SELF-PUBLISHING, AN INTRODUCTION
It is said that we all have a book within us. I don’t know who said it, and if no one has, I just did. However, it has never been said, to my knowledge, that we all have a GOOD book within us. What follows is my own take on self-publishing with more episodes to follow. As always, feedback would be greatly appreciated.
Writing is an ego driven endeavor. To put your words out there and know that someone will pay money to read them is quite a stretch. But many of us do just that and bruise our egos along the way. Who among us truly thinks their ability to put words together isn’t worth shit, but I’m going to do it and reveal my shit to the world. In the not too distant past the only available avenue a writer could take, other than the traditional route of, agent-editor-publisher was lovingly referred to as the vanity press.
The end result of association with a vanity press was usually hundreds of books moldering away in a basement or attic and the author thousands of dollars poorer. Now we have a much better, cheaper option – the wonderful world of self-publishing. For an excellent in-depth look at self-publishing I refer you to the May/June 2012 issue of Writer’s Digest providing an overview on the topic. In a later piece I will offer some of the information from that issue and update the information contained in this issue for, in this day and age, 2012 is distant history.
Self-publishing, in conjunction with print-on-demand allows the writer to bring his work directly to the reading public without encountering the messy world of agents and publishers. I know many out there have taken the agent and or publisher route and have shed blood, sweat and tears with no results. Been there, done that. That’s why the vast majority of my work remains unpublished. I’ll get to my personal experiences and the reason I still beat my head against a stone wall in a later piece. Many of those who have put the effort and see no other avenue to present their work to the public other than to self-publish. Here, the decision to self-publish has merit. You’ve paid your dues with nothing to show for it; give it a shot.
There is another form of exposure providing a means to present your work, your thoughts, poetry, and stories, to the world. If you’ve gotten this far you’re participating in that medium now – the blog. Of course you won’t make any money unless your ego permits you to go hat-in-hand to those wanting to read the beauty of your words. Enough of that.
I have met one author, in my opinion, who has a healthy approach to self-publishing. She established a reputation through the traditional route of agent and publisher. Only after her reputation was established did she begin to self-publish. For now the public knew the value of her work, work accepted by the industry, and she could approach that public directly.
With the above in mind, I’m sure you see that self-publishing is a complicated and convoluted topic. It is a medium offering a new publishing opportunity, and each year hundreds of thousands of people employ it. It can yield great success, but to those that it has you could probably count using your fingers and toes, and perhaps not even need to take off your shoes.
Yet with all the uncertainty and rejection and no matter how you bear that twisted cross we call the writing addiction, you know you have no choice but to endure and hope for the
THE STRUGGLE TO GET IT WRITE: A NEW SERIES
Is that a clever use of the homophone, or what?
In this new series, I hope to engage writers who follow my blog or anyone else who has an interest in the art of writing, about questions and problems I’m having about my writing and observations I have made in my reading of work by successful writers.
Recently, I’ve run into some new kind of block. It’s not writer’s block; to be honest I don’t know what the hell kind of block it is. Leave it to me to be on the forefront of a new problem for writers. But I’m having a real problem getting my butt to sit down and write. Story ideas, no problem there. I’m constantly taking notes on what my bizarre brain produces, but that’s about as far as it gets.
I’ll discuss some specific problems and some writing insights in the pieces that follow, and if any of you out there can lend advice, I’m all ears.
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