Posts filed under ‘OBSERVATIONS & OPINIONS’

READING THE MASTERS OF SCIENCE FICTION

While riding the train to work, my neighbor would read science fiction. Long retired now, he asked me if I would like science fiction books. I, of course, was more than enthusiastic and bags of books came my way and found a home in my study much to my wife’s displeasure. If you saw my study you would understand her fear for it is overflowing with books read and to be read.
Recently, I began reading these classic works. The authors include the likes of Lester Del Rey, Isaac Asimov, Robert A. Heinlein and Ursula Le Guin to name a few. Most were published in the fifties and sixties costing as little as fifty cents.
The novel I would like to discuss is one I recently finished reading, The Door Into Summer by Robert A. Heinlein. This book was interesting in that it dealt with the future, a future which is already our past.
Heinlein published this novel in 1956 so it was probably written in the early fifties. The setting of the book is 1970 and the main character travels, via suspended animation, to the year 2000, both needing the author’s speculation of what life would be like in those years.
His take of the not too distant future of 1970 is most interesting. There is talk of a nuclear war with the United States being the target, but it is handled as no more than a minor inconvenience. The year of the war isn’t given and neither is the adversary. My thinking is that it could only be Russia who developed their bomb in 1947. Also, in 1970, robots are beginning to take over the mundane tasks in both domestic and commercial settings. When he gets to the year 2000 he finds society completely changed. The story deals with more of the social rather than the technological changes, but there is a scientist dabbling with time travel which plays an important part of the story for it allows travel into the past. However, this can only be accomplished with great risk for the scientist can set the length of time but cannot control whether the subject goes forward or backward in time.
What amazes me is how the author envisions both years, to compare reality to what he predicts. The world today is full of robot used by industry but nothing like the talking androids, human-like creatures, created by the minds of Asimov and Dick. Time will tell.
I enjoy reading ‘dated’ science fiction and see the author’s take on the future and compare it to what has come to pass.

September 23, 2013 at 10:20 pm 1 comment

A WRITER’S VOICE

I don’t know about other writers, but when I read work by a successful author, especially one writing in my chosen genre, I have a desire to mimic the voice of that writer. After all, their voice has worked where mine is less than well-known. However, I resist temptation and, for better or for worse, adhere to my own style, my own writing voice.
What determines a writer’s voice?
Perhaps the most important element is the writer’s life, his experiences along that bumpy road to his vocation and hopefully his avocation. Certainly his age is a determining factor. I began my writing career at an advanced age, some would say almost elderly. And as I stumbled down my own road, I was molded by what I experienced. I sometimes wonder what words I would have produced had I begun writing at an earlier age and how my writing would have developed as I aged.
I feel another determinate of a writer’s voice is the genre you choose to work in. I write science fiction and horror. Science fiction is terse, detail oriented with the story and plot more important than character development. Horror leaves more room for character development but also depends heavily on atmosphere and a host of nonhuman characters. Horror tends to be more ‘wordy’ than science fiction.
These are my opinions on what goes into developing a writer’s voice. For you writers out there, am I on target or completely off the mark?
Someday, time permitting; I may try to stretch my voice into other genres.

September 18, 2013 at 6:59 pm Leave a comment

A TASTE OF HISTORY – ERIK LARSON

One of my favorite nonfiction authors is Erik Larson and I’d like to share some of his work with you.
I have read three of his books, Isaac’s Storm, Thunderstruck and The Devil In The White City and found them to be thoroughly enjoyable.
Isaac’s Storm deals with the hurricane of 1900 which devastated Galveston, Texas. This occurred before hurricanes were given names and resulted in the worst natural disaster this country has ever experienced with over 6000 lives lost. Isaac was Isaac Cline, the Galveston weatherman when the profession was in its infancy. Larson deftly describes the drama of the approaching storm and the bewilderment it causes until reaction comes too late.
Thunderstruck takes place in the early 1900’s. In this book Larson parallels the experiments and development of wireless communication championed by Guglielmo Marconi with a murderer, Harry Crippen. Marconi’s invention results in Crippen’s discovery and capture while he sails from Europe to America. The history Larson relates and his expert telling of the story results in a fantastic read.
The turn of the century sets the scene for The Devil In The White City. The focus year is 1893. The Devil is Dr. H. H. Holmes, one of the first serial killers. The White City is the 1893 Chicago World’s Fair. Larson follows the building of the fair and the many trials which must be overcome to accomplish its opening. Intermingled with the construction of the fair are the many crimes of Dr. Holmes and how he uses the fair to lure his victims, mostly young women, to his hotel of horror.
Erik Larson’s work of nonfiction offers the excitement of fiction while covering historical events.

September 11, 2013 at 9:41 pm Leave a comment

THE NEED FOR OBSERVATION

The following is my observation of the writer to be constantly aware of the world he or she occupies. I do a great deal of reading, both fiction and nonfiction, and as I read find a great deal of depth some authors give, to their characters in the case of fiction or the events they are recording in the case of nonfiction, by asides that bring to their writing, details which enliven their work, springing from the well of their life’s experiences. These details are born from a life spent closely observing their world. Only from my limited experience as an author do I speak of the importance of a keen sense of observation necessary to enhance your stories, bring life to your characters, to add dimension to their experiences.
To those experience authors who may stumble across this blog, I am perhaps stating the obvious, the power of observation and the ability to file those observations away. Then as a character is being developed, you go back to that well of memories to breathe life into that being of your imagination.
Can this strong power to observe be taught?
When an individual decides to become a writer, if he hasn’t already spent his life in absorbing the world around can he suddenly begin?
Are writers born or created?

September 6, 2013 at 7:25 pm Leave a comment

TWO WRITERS OF ‘PLACE’, JAMES LEE BURKE AND CORMAC McCARTHY

I would like to take this opportunity to discuss two of my favorite authors, James Lee Burke and Cormac McCarthy.  I refer to these writers as ‘writers of place’ because of their similar styles, their ability to immerse you not only in excellent stories but also in the rich atmosphere, the fullness of the story’s location.

James Lee Burke’s novels are primarily crime novels with two recurring characters both of whom are sheriffs.  One, Dave Robicheaux, is sheriff of New Iberia, Louisiana.  Read this series and you become immersed in life in the Louisiana bayous.  You can feel the humidity and smell the smells of the region when you read these stories.  His most recently published novel, Light of the World, features Robicheaux but with a change of location to Missoula, Montana.

Hackberry Holland is the principle character in another of Burke’s series.  He is a sheriff in southwest Texas.  With Holland you experience the grit and desolation of the west.  Reading Burke’s novels is like buying a ticket to the region where they take place.

My second ‘writer of place’ is Cormac McCarthy.  His work is not for the faint of heart.  Two of his novels, No Country for Old Men and The Road, have recently been made into movies.  No Country for Old Men is an especially violent movie, closely following the book.  It is the rare novel where the ‘bad guy’ comes out on top in the end.

McCarthy is also known for his trilogy taking place in the early 1900’s in Texas and Mexico.  All the Pretty Horses, The Crossing and Cities of the Plains immerse you in the changing west and the end of the cowboy way of life.  All are rich in the texture of their locals and excellent reads.

I highly recommend the works of Burke and McCarthy, novels rich in atmosphere and memorable characters.

August 29, 2013 at 6:36 pm Leave a comment

LIFE AS A FULL-TIME WRITER

I’ve lived life as a fulltime writer for some years now and have made some interesting observations.
I now accomplish less writing than when I was writing and holding a fulltime job. Hopefully, I’m about to change that situation.
It is not for lack of ideas. If anything I have too many irons in the fire. A host of short stories have begun their lives on legal pads and await completion. Two completed novels await editing and ideas for novels fill notebooks. But what I have now that stands in my way is time.
Let me explain.
When I had a fulltime job, I would spend every stolen moment writing. I write my first drafts in longhand so I could write anywhere. My backpack was always full of my works in progress. Now that I have all the time in the world, there is always tomorrow to work on what awaits in my study. But health issues and advancing age has brought a new light to my eyes. How many tomorrows are left?
I hope this insight brings my writing career new benefits.
Stay tuned. I’ll keep you informed.

August 2, 2013 at 7:44 pm Leave a comment

FAULTS IN MY WRITING STYLE

As mentioned in my last post, I would like to discuss my writing style or lack there of.
I have this fault when writing novels, but it really rears its ugly head when I write short stories. I think about the story I’m going to write for quite some time before I put one word on paper. When I’m finally ready to begin writing I am in such a rush to write the story, my first draft is always written with pencil and legal pad, I tend to write a bar-bones story lacking details that would make it more readable and interesting. Hence, one editor said my stories were like outlines.
Let me demonstrate.
Betty was cooking dinner when Harry walked into the kitchen.
Earlier in the story, who the characters are, may have been established. If not, this sentence raises many unanswered questions. Who are they? What is their relationship? What do they look like?
To give some depth to the scene: What is Betty cooking? What are the smells? What does the kitchen look like? Not all of this may be important but some detail will help form a mental image to help the story along.
I hope to improve my style in my upcoming work and in the stories I have yet to publish walking the fine line between detail and padding.

July 12, 2013 at 7:17 pm Leave a comment

GEORGE R. R. MARTIN VS JIM BUTCHER, PADDING VS ACTION

In my last piece where I discussed how my approach to reading a book has changed since becoming a writer, I mentioned that I noticed that some authors overwrite. They add a vast amount of unnecessary detail which pads, and in my opinion, slows down the story.
I, on the other hand, feel I don’t give enough detail. I have had stories rejected where the editor said that it wasn’t a story but an outline. I hope to remedy this and will discuss it my approach to the ‘fix’ in a future piece.
The example of an author that gives far more detail in his stories than I feel is necessary is George R. R. Martin. I know this may ruffle some feathers and that he is all over the bestseller lists, but I stand by my observations.
I have read a couple of his books and what I find is an opulence of description that is totally unnecessary. If there is a banquet, he describes in great detail what people are wearing. There is nothing wrong with this, but to go on and give the history of garments and belt buckles I find does not add anything to the story and slows down the action to a crawl.
Another fault I find in his very popular series is a total lack of advancement in technology and the life of the characters. In one story he talks of a sword that has been in the family for a thousand years and is in use by the current generation. In the course of a thousand years, shouldn’t some advance been made in warfare, for better of for worse.
I have read another fantasy series, The Codex Alera, by Jim Butcher. His stories are fast paced and not padded by details that add nothing to the story. His characters use ‘furies’ which are natural powers of the earth. In one story he explains that the culture once used an advanced technology which is now long forgotten. Since the discovery of the ‘furies’ the technology became obsolete. I find this detail more satisfying than believing that no advancement has occurred in a thousand years.
These are the observations I have made as a writer. If you want, let me know how right or wrong you think I am.

July 8, 2013 at 7:42 pm Leave a comment

READING AS A WRITER

I’ve always been an avid reader to the point where it’s almost an obsession. I cannot remember the last time I was not in the process of reading a book. If I go anywhere where there is the slightest chance of waiting, I feel naked if I do not bring a book along.
I’m sure most writers would agree that being a compulsive reader is a prerequisite for being a writer.

What I would like to discuss in this piece is how the appreciation of the book I am reading has changed. I began writing fiction approximately twelve years ago, and since then I have noticed that the qualities I look for in a book are different. Before I became a writer I was just appreciating the story at face value. Now I look for much more.

Now, when I read a book I look for character development. I look for descriptions of the character and how this sometimes leads to overwriting of the book. I will discuss this in an upcoming piece giving examples. Plot is something I examine, wondering if the author outlined the story or if events occur which the author did not see coming. In my writing, I sometimes use a dynamic outline with nothing cast in stone. I also have events occur that are created during the writing process.

Another quality I look for in a story is background information to explain details in the story. In science fiction, horror and fantasy not everything needs to be explained, nor should it be. But there comes a point where some background is necessary.

These are some of the changes I have in mind when reading. I wonder if other writers
approach a story differently since they began writing.

July 5, 2013 at 7:03 pm 2 comments

THE CASE OF CHARLES DEXTER WARD by H.P. LOVECRAFT

Our lab-mix, Millie, has not tolerated the thunderstorms very Here in southeastern Pennsylvania we have endured, for the last week or so, and continue to endure almost daily rain and thunderstorms.
well. My computer table is rather small with a printer beneath and all the necessary plugs and cords. During one particularly violent storm Millie squeezed all of her 61 pounds under the table while I was working. I fear that if I decided to turn on the vacuum cleaner during one of these events I would surely send poor Millie over the edge.
These storms, however, provided the perfect atmosphere for my latest reading endeavor, The Case of Charles Dexter Ward by H.P. Lovecraft.
The background of a good thunderstorm forms the perfect atmosphere of a story full of the nameless and unspeakable.
Unlike most of Lovecraft’s writing efforts, primarily short stories, this work is a short novel, one of his longest works. The story begins with Joseph Curwen and follows his activities during the late 17th and early 18th centuries. Curwen is consumed with certain mystical activities involving obscure chemistry and strange chants. Charles Dexter Ward is his great-great-great-grandson and follows in his relatives footsteps.
I love Lovecraft’s stories and his style of writing. However, I think he would have some difficulty finding a publisher in today’s market. This effort is almost exclusively narrative. As usual, the atmosphere of the story is rich with the bazaar and implied bazaar, but he occasionally violates the writer’s rule of ‘show don’t tell’.
Yet, no matter how archaic his work may be, I still enjoy his stories a great deal.

July 1, 2013 at 7:08 pm Leave a comment

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