WATERSPIDER BY PHILIP K. DICK
Recently I read a short story, Waterspider, by Philip K. Dick, which was part of a collection, The Minority Report and other classic stories.
The reason I write this piece is that, in past posts, I have threatened to write a piece about science fiction writers and how, through their imaginations, predicted science fact. I’m still going to do it, with Arthur C. Clarke at the top of my list. However, Philip K. Dick beat me to the punch in a fascinating short story, Waterspider.
In Dick’s short story, the present is the future and scientists have sent a mission of volunteer prisoners into space, reducing their mass. The problem is, they don’t know how to restore the ship’s mass and its one-inch tall occupants upon arrival to their destination. Apparently, even in the future, some things never change.
However, the scientists remember a period in the past when people, known as pre-cogs, existed. The debate was whether the first pre-cog was Jonathan Swift or H.G. Wells. I’m surprised Jules Verne was not in the running. These individuals have the ability to predict the technology of the future, and one of them predicted a solution to mass recovery. These pre-cogs, with this ability unknown to them, were science fiction writers. The present-future scientists were able to travel to the past and decide to bring Poul Anderson, who, in a short story solved this problem.
These future scientist journey back in time to a convention of science fiction writers and meet a host of pre-cogs, Ray Bradbury, Isaac Asimov, along with a shy Philip K. Dick.
To say the least, this story blew me away. I encourage you to read it, if you can find it.
BEN E. KING AND BACKUP SINGERS
Recently, Ben E. King died at the age of 76. I’m writing this piece in recognition of his life, and one of his classic songs, Stand By Me. But more importantly, in my frame of mind, is to recognize one of the untold singers who added to the music for they shall remain nameless and yet make a lasting contribution to music. Their voices live on in recordings, but their names and lives fad into the past, unknown.
The song, Stand By Me, has long haunted my thoughts for two reasons. First, it became the title of a film adapted from a Stephen King short story, probably one of the best adaptations of one of his works. I won’t go into the details of the story, but if you haven’t seen it, you should give it a try, especially if you are a teenaged boy. There is a special bond portrayed exquisitely described by King.
Secondly, on a more personal note, the song reminds me of a coworker I was fortunate to meet while working at SmithKline Beecham, now GlaxoSmithKline. For a period of a year or so our pharmacology group produced a monthly newsletter. I somehow got involved and was assigned the task of interviewing members of the group to record their biographies. For the most part, they were interesting individuals with a rich life removed from the company. One individual, Mildred, agreed to give me an interview and I remember it to this day, and is the inspiration for this piece.
Mildred was a black woman and I interviewed her somewhere around 1990. With only a high school education, she managed to obtain a job as a lab tech; today that would be impossible. Education is now the starting point long before an interview is obtained. As I recall, she came from a large family and there was not enough money to send her to college, although I thinks some of her siblings did pursue higher education. When I interviewed Mildred, she must have been in her fifties and gained employment in cardiovascular pharmacology with skilled hands and a sharp brain. I had seen her around the labs, but never got to know her until the interview.
She granted me an interview and I am forever grateful for the opportunity to get to know this woman, I am sure, as few of her coworkers knew her. She was an individual associated with stardom, but forever remaining unknown, never reaping the rewards of their contribution.
Mildred while pursuing her science career in Philadelphia, was also a backup singer for recordings during the early years of rock n’ roll. As you all know, Philadelphia was a mecca for music and here before me sat a woman who was part of it. Here was a woman, sitting before me wearing a white lab coat who was an unspoken part of music history. As I sat talking to this woman, I could only imagine the records to which she had contributed. This is the reason that whenever I hear, Stand By Me, I focus on the backup singers and think of Mildred.
RANTS & RAVES: SCIENCE FICTION MOVIES WITH NO BELIEVABLE SCIENCE
This may be the rants of an old man, or the product of age and wisdom. Age and wisdom, really.
Anyway, whatever it is, it is not a commercial for Netflix. But if they want to pay me, the income would be welcome. But I doubt they would see my comments worthy of pecuniary rewards. (There goes three years of high school Latin.)
I have been, of late, watching a great deal of horror and science fiction using Netflix’s instant viewing option. Just a side comment. While watching horror, both American and international, I find that Japan, in my opinion, produces the best horror after my limited sampling. The Ring, The Grudge, both remade by U.S. studios, are Japanese movies. I have viewed other Japanese horror offerings that will scare the hell out of you, not through gore and special effects but through story and setting. Some movies had twists I did not see coming, or circumstances that make you think after the movie is over, and experience which stay with you.
Now, back to science fiction.
I’d like to discuss two recent viewings, The Ring of Fire and 500 MPH Storm, both Netflix offerings and both, I’m sure, originally from a cable channel, but I could be wrong. It has happened before.
The first, The Ring of Fire, takes place in Oregon focusing on a corrupt oil company executive and his daughter, an environmentalist, locked in combat over a drilling venture in the state. The premise has the oil company drilling a well far deeper than they were permitted, and instead of tapping a huge dome of oil, headed for magma. Puncturing the magma dome could set off an event, tied to the volcanoes surrounding the Ring of Fire, triggering an event that would destroy all life on the planet. For those who don’t know, the Ring of Fire boarders the Pacific Ocean and is the most geological active area in the world.
I must be open as to why I found this movie lacking. My published novel, New Moon Rising, involves a catastrophic event also involving the Ring of Fire. First, as I point out in my novel, scientists insist that geological events occurring in the Ring of Fire are unconnected. The movie assumes that every volcano is connected to a source which would cause them all to explode because of the drilling in Oregon. Finally, the method the characters in the movie use to solve the end of life on the planet left me chuckling. View it yourself and see if I’m wrong. Just a side note, in my novel, all is not remedied.
The second video, 500 MPH Storm, makes Plan 9 from Outer Space, a classic in its own right, worthy of Oscars, looking like well thought-out science. The science in this film is nonexistent. The scientific logic escapes me. The special effects were poor, at best. The last comment brings me to the inspiration for this article.
In my opinion, some of the science fiction movies produced today have little to do with science. I know it is fiction, but the inclusion of science fact, not just make it up to fit the story, adds enjoyment to the work. Today’s science fiction movies are ruled by special effect and lack any scientific redeeming qualities.
I enjoy including science fact in the science fiction I write. I feel that it allows the educated reader to become more involved with the story.
What do you think?
Here are some links where you may purchase my work.
Melange Books
http://www.melange-books.com/authors/walttrizna/index.html
Barnes & Noble.com
http://www.barnesandnoble.com/s/walt-trizna?store=book&keyword=walt+trizna
Amazon.com
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=walt+trizna
THOUGHTS
No one in America should suffer abuse because of a preconceived notion.
RANTS & RAVES: TIME WASTED
Those of us advanced in age find time to be more precious now, than we did in our youth. Time used to pursue those final goals not yet met, and of course, those many naps that we find required. Time is precious and that is what brings me to this musing.
I don’t know where I heard this, but I wrote it down so I’m sure it’s true. Okay, I can imagine all below the age of forty tuning out, but I go on. I heard that there is an app you can use to look at the contents of someone’s refrigerator. Really!
And more disturbing, I document that the reporter commented, “Fascinating.”
Give me a f—— break, does this reporter need a life or what. I know, in my youth, if anyone cared to look in my refrigerator they would have the opportunity to gaze upon beer and hot dogs, and perhaps some contents defying description.
What I find disturbing is who would want to show what is in their fridge, and more disturbing is who would want to see it.
I know I’m getting old, but I think our use of the fantastic technology existing today has hit a new low.
What do you think?
RANTS & RAVES: IS TOO MUCH GOOD OR BAD?
This piece will be about blogging and self-publishing, and some observations I have made.
I have been blogging for some time now; have bloggers I follow and some that follow me. I’ll begin with the negative. In blogging, I fault blogs that merely regurgitate other’s thoughts, ideas and creativity adding no insight or constructive thoughts. I’m turned off by quantity and not quality in what is presented.
Now for the good, and there is a great deal of good. I read the work of a host of talented writers posting on blogs about writing, their experiences in developing their craft along with blogs posting excellent poetry. If anyone out there is interested in reading great poetry for free, leave a comment and I’ll post links. Here’s the kicker. In my daily blog reading, I’ve found too much that is lacking in quality, and at the same time, too much that is excellent. There’s just too much to absorb. The lacking dilutes the excellent and conceals work that is worthy with the flood of work which is available.
How could too much excellent work be a bad thing, you might ask. The growing technology in publishing allows everything to be published with no gatekeeper. I remind you of the add I mentioned in the past which stated, “Write anything. Publish everything”. You can create a blog for free, a website for free, self-publish at minimal cost; all whether or not you have talent or something to say. I feel that the ease with which you can publish allows marginal writers a means of exposure, diluting the efforts of talented writers for gaining a public. In the past, there existed the means to self-publish using vanity presses. The cost limiting the volume. Technology has changed all this, and I feel not for the best. Of course, who is to say what is good and what is bad. But with the volume of work presented, the good is sometimes lost in a sea of the bad.
When I read a great piece on a blog or a great poem I wish more could enjoy the author’s work. Some of the bloggers I read also publish, rarely through traditional mean. The bottom line, I feel that the rapid growth of technology enables the marginal and dilutes the excellent. I see no way to remedy this problem and sure that it will increase as technology progresses.
Here are some links where you may purchase my work.
Melange Books
http://www.melange-books.com/authors/walttrizna/index.html
Barnes & Noble.com
http://www.barnesandnoble.com/s/walt-trizna?store=book&keyword=walt+trizna
Amazon.com
http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=walt+trizna
STRUGGLING TO GET IT PUBLISHED: AGE AND TECHNOLOGY
I’m going to, here and now, establish a new term: The Crossover Generation of Writers. You are the very first to witness the birth of a movement, for however brief, will soon be dead along with this blogger. But not too soon.
What am I talking about, you may ask? I’m familiar with that response when I try to explain something.
It is this.
When I attended college as a biochemistry major, all science and engineering majors carried slide rules, the current device for calculations. I still have my bamboo-beauty still nestled in a drawer. Later after I graduated, around 1970, I knew someone who purchased one of the first calculators for around $100. The device could add, subtract, multiply and divide. That was it, with no memory. Today credit-sized calculators, which can do far more, and solar powered are given away. I got one years ago. Do you
What the theme of this piece is the progression from preparing a piece to be published on a typewriter, using correction tape to now submitting manuscripts on the internet. Unless you have experienced that transition, you cannot fully appreciate the impact technology has had on the writer that has lived through that transition. When unable to hire those familiar with the latest technology of publishing and marketing, those of a certain age (I) are lost.
I belong to a host of online organizations providing opportunities to publish and sell your work. All, I feel, are legitimate. Personally, I’m not immersed in the current technology and methods of publishing, distributing and selling my work. My focus is in writing, yet I realize the need for modern technology to be successful, to embrace both writing and the rapidly evolving technology of publishing and marketing of your work.
At times, I find the options beyond my comprehension and ability. Therefore, The Crossover Generation of Writers is born today. I am the first, but not only member.
Writers of advanced wisdom and experience, what do you think about this? Do you agree and identify?
STRUGGLING TO GET IT PUBLISHED: THE SMALL PRESS
Between major houses and self-publishing there lies an alternative which is the subject of this piece.
As far as the major publishing houses are concerned, most cannot be approached unless you have an agent and the agent makes the contact. But acquisition of an agent is not an easy task. An aside, for those writing in my genre, science fiction and horror, the major house, TOR, does accept unsolicited manuscripts. I read an article not long ago in which writers talked about obtaining an agent. In almost every case it was ‘I know someone, or I have an agent. Let me talk to them.’ You get the idea. Yet I’m still naïve enough to feel if your work is good, something good will happen. I could be labeled either a dreamer or an idiot, been called both by those who know me.
The far-end of the spectrum from the top houses is self-publishing. I’ve dealt with this topic in past posts, and will surely again in the future. What typifies my thoughts on self-publishing is an ad I see constantly in Writer’s Digest. In the photo accompanying the ad is a middle-aged woman with short gray hair sitting cross-legged on a mound of earth in the middle of the great outdoors, I can only assume there must be a Starbucks within Wi-Fi distance. She has her arms raised triumphantly while gazing at her laptop nestled in her lap. The ad proclaims, ‘Write anything. Publish everything.’
Really?
I don’t know if this woman is supposed to have just finished writing a classic, or just sent off the classic to be published. ‘Write anything’ I have no problem with, but ‘Publish everything’, give me a break. Does everything written need to be published, especially by someone unencumbered by the process of discovering if what they write is publishable? If you feel everything you write, that is not exposed to scrutiny, is publishable, you can stop reading now.
If you are still reading and feel the product of your mind should be self-published, please, please, please have someone other than your mother or your spouse read your work with a critical eye and who will be gentle, yet honest, with their opinion. Join a writer’s group or seek an online critique. I’ll these options in future pieces.
The purpose of this article is to discuss small presses, and now I will focus on that topic. There are a multitude of small, legitimate presses you are able to approach directly. I was fortunate enough to be accepted as an author by Melange Books. They provided help in editing, designing a book cover and distributing my book to online sellers, Barnes & Noble and Amazon, all free of charge. There are a host of publishers out there that want to publish good work, but do your homework. As with any industry, there are those that are less than honest.
My favorite source of publishing opportunities, Duotrope, https://duotrope.com/, is one place to begin your research. There are many other resources, but I find Duotrope the most complete and easiest to use.
At the same time, I must caution you that all small presses may not have the best interest of the writer in mind. As with any business, there are the unscrupulous and the scams abound.
Do your homework!
In past articles I have discussed Preditors & Editors, http://pred-ed.com/pubagent.ht, and Absolute Write Water Cooler, http://www.absolutewrite.com/forums/. Both are fantastic and constantly update their information. Preditors & Editors provides information on publishers, along with agents. This is a site you must use if you want to publish your work and do not want to be taken due to an ego trip. The site provides recommendations and warnings of the unscrupulous.
Absolute Write Water Cooler offers writers’ experiences with publishers and agents. This site is a must if you plan to publish. If you search the internet for a specific publisher or agent, often some of the first references will be from Absolute Writer. Always check these comments by writers who have used these sites and provide first-hand information on their experiences. Both Preditors & Editors and Absolute Write Water Cooler and places you should investigate while seeking to publish your work, and they are FREE.
Good luck fellow writers.

